In Full House we subvert many stereotypes pertaining to
gender. The main way in which we do this is making the majority of the cast
female apart from a single male character. Usually in mainstream media the cast
is usually predominantly male with a single female character. This can be seen in The Avengers
where all of the avengers are male apart from
The Black Widow,
or
in Star Trek where all of the crew are male apart from Uhura,
or
in Star Wars and Princess Leia in the original trilogy and Padme Amidala in the
prequels. These female characters are often placed there to be “eye candy” for
male viewers and to help attract a female audience.
This trope has been characterised as The Smurfette
Principle. If The Smurfette Principle is in action it means that the cast is
made up of men and there is exactly one woman. The name of this trope was first
coined by Katha Pollitt in an article for the New York Times in 1991 called
“The Smurfette Principle”.
Our film also passes the Bechdel test. The Bechdel test is
in place to test the representation of woman in film and TV. To pass the
Bechdel test two named female characters must have a conversation with each
other and talk about something other than men, despite this being a low bar many
films in mainstream media do not pass this test. We pass the test in our film
as the main conversation topic is how they got into their current situation and
as they believe that they are the only people left boy trouble isn’t very high
on their list of priorities.
We also represented young people in our film as all of the
characters featured are all either 17 or 18 years old. We showed the main
character before the incident in college as it is a natural setting for
teenagers of this age. We did this to show the normality of the character. We
show the characters through a low angle shot to show they are powerful which
juxtaposes the stereotype that teenagers are weak and inferior to adults.
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